El retorno de lo real: la vanguardia a finales de siglo, trans.

Suggests that after the models of art-as-text in the 1970s and art-as-simulacrum in the 1980s, we are now witness to a return to the real-to art and theory grounded in the materiality of actual bodies and social sites.

The Return of the Real: Art and Theory at the End of the Century, MIT Press, 1996, 321 pp, Chs.

Şebnem Kaptan, Istanbul: Ayrıntı, 2011, 255 pp. Tamata Stuby, Buenos Aires: Adriana Hidalgo, 2008, 335 pp. A deconstructive reading of surrealism based on author's dissertation.

Compulsive Beauty, MIT Press, 1993, 344 pp, PDF, ARG.

Kurenuma Norihisa, Tokyo: Heibonsha, 2000, 215 pp. Texts by Jay, Crary, Krauss, Bryson, Rose. Based on a day-long symposium held on at Dia's exhibition space in NYC.

editor, Vision and Visuality (Discussions in Contemporary Culture, 2), Seattle: Bay Press, and New York: Dia Art Foundation, 1988, 134 pp, ARG.

Texts by Crow, Rosler, Owens, Crimp, Kruger, Wodiczko, Fried, Krauss, Buchloh, Graham, Rankin, Kolbowski, Clifford, Dominguez, Minh-ha, Jardine, Feher.

Based on a series of 6 weekly discussions organised by Foster at Dia Art Foundation in NYC, 10 Feb.

editor, Discussions in Contemporary Culture, Number One, Seattle: Bay Press, and New York: Dia Art Foundation, 1987, 172 pp, OL, ARG.

Recodificação: arte, espetáculo, política cultural, São Paulo: Paulista, 1996, 295 pp.

A collection of criticism published 1982-85 mostly in Art in America and October, 9 texts, revised.

Recodings: Art, Spectacle, Cultural Politics, Port Townsend, WA: Bay Press, 1985, ARG.

Fan mei xue: hou xian dai wen hua lun ji, Xin dian shi: Li xu, 1998, 270 pp.

Han bigaku: posuto modan no shosō, Tokyo: Keisō Shobō, 1987, 308 pp.

La posmodernidad, Barcelona: Kairós, 1985, 238 pp, ARG.Essays by Foster (preface), Habermas, Frampton, Krauss, Crimp, Owens, Ulmer, Jameson, Baudrillard, Said.

editor, The Anti-Aesthetic: Essays on Postmodern Culture, Port Townsend, WA: Bay Press, 1983, xvi+159 pp, PDF repr., New York: New Press, 2002.

A children's story illustrated by Milo Mottola.

The Mink's Cry, Port Townsend, WA: Bay Press, 1982.

What Comes After Farce by Hal Foster